Category Archives: Decorating

Bulletin board!

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A few years ago, I was flipping through what would soon be the last issue of House and Garden ever published when I came across an article on designer Thomas O’Brien’s Manhattan apartment. I was totally enamored with O’Brien’s ability to blend the upscale and the casual to make a space that was at once homey, luxurious, and beautiful. The thing that I found most incredible, though, was how he used mere magazine pages as artwork by simply tacking them in an artistic way to his walls.

Here are some of the images from the shoot (via Habitually Chic):

I had attempted something like this at my old apartment above the desk in my bedroom:

Daniel absolutely hates bulletin boards with a burning passion, so I knew that something similar was out of the question when I moved in with him. He won’t even allow us to put magnets on the refrigerator! Seriously— what kind of person doesn’t like magnets? After months of trying to convince him to at least allow a bulletin board, I finally was able to force persuade him. The deciding moment was when I presented him with the idea of not a tiny little bulletin board that hung on the wall, but an oversized one that leaned against it, almost like another wall itself. Why Daniel would be okay with this but not a smaller, less conspicuous board was beyond me (the boy’s brain works in mysterious ways), but I took what I could get.

For a material, I chose Homasote, an insulator of cork-like consistency that Martha Stewart Living often suggests for DIY bulletin boards. It can be picked up in very large quantities (you can only buy it in like 8×10 foot pieces) from the Home Depot for about $30. I ended up having the nice people at Home Depot cut mine down to about 2.5×6 feet.

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Once you have your Homasote purchased, it’s a good idea to back it up with something as it will undoubtedly bend and bow if allowed to lean against the wall itself. To do this, I had Daniel fashion some scrap wood into a sort of frame for the back of it. So handy!

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Once the board of Homasote is securely backed, it’s a good idea to cover it with something. Mostly because it’s not terribly attractive on its own, but also because it smells like a combination of feet and ass. For real, I don’t know how Martha Stewart can endorse a building material that will make your office smell like there are dead animals hiding in it. Covering it definitely helps. Also, spraying with ample amounts of Febreze. Because I am absolutely incapable when it comes to construction and power tools, I had Daniel staple a large piece of canvas (purchased in the painting section of a hardware store) around it.

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Once that was completed, all that was left to do was tack some things up! In order to do this, I used some vintage upholstery tacks that I purchased with Daniel at a junk shop months ago.

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And that’s it! All-in-all, if you have any skill whatsoever when it comes to ordering around employees at Home Depot and maneuvering a staple gun, you should have no problem assembling a lovely, oversized inspiration board like this one. It turned out pretty well! And the smell does go away!

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Working Through Your Decorating Differences

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This morning, when I probably should have been doing something work-related, I was instead browsing Amazon.com. I was doing a general perusal of design books when I stumbled upon one entitled Perfectly Kept House is the Sign of A Misspent Life: How to live creatively with collections, clutter, work, kids, pets, art, etc… and stop worrying about everything being perfectly in its place. The book’s title is nearly as long-winded and cluttered as many of the spaces depicted within it. Written and photographed by Ralph Lauren’s vice president for advertising, Mary Randolph Carter, the book appears to brim over with her self-professed “junker” style. Now, I might not define myself as a “junker” per se— many of the images depicted in the book show a level of disarray that my obsession-riddled brain would simply not tolerate— but I have been sympathetic to the junker cause as of late. This is mostly because I have moved in with my significant other and his style veers toward the opposite end of the clutter-lover spectrum. While clutter irks me just as much as any other uptight gay with a so-called “eye for design,” perfectly curated clutter (to quote Anna Dorfman) does not. I love collections. I love mismatched art hung in a jumbled grid on a wallpapered surface. I love “pops” and even retina-assaulting explosions of color. I’ll be the first to admit that my personal style seems like it’s been ripped out of a hipster’s wet dream (or an Urban Outfitters catalogue, but those are one and the same). And guess what? I love it!

Still, Daniel does not. And I respect that. Daniel’s style is cultured, modern, and refined. He likes neatly tucked edges, sober white walls, and furniture that looks like it’s been curated from a design history textbook. If I were to encapsulate Daniel’s design sense into a tiny pixelated circle, it would look like this:

On the other hand, if my design sense were similarly condensed, it would probably resemble something like this:

There’s loud color! There’s turquoise! There’s a bird on it! It looks like Pier 1 ate too much wicker and shit all over fifth avenue! My style tends to follow a no-rules approach (for examples, see my old living room and bedroom). I blame this aesthetic preference on my sheer inability to wait for anything. You know that expression that it’s like waiting for paint to dry? That’s how EVERYTHING is for me (even waiting for paint to dry). Although I like a sensibly decorated, perfectly feng shuied, zen living space as much as everybody else, my total lack of patience has led me to adapt this somewhat zany approach which, in an attempt to rationalize it, I labeled as some kind of mutant hybrid between shabby chic and postmodern/retro/throwback. It worked for me.

Not everybody can tolerate a drug-free acid trip every time they step over the threshold of a room, though, and that is perfectly understandable. Luckily for Daniel, I have been more than cooperative with eradicating most of my so-called “twee” knickknacks from our new apartment. (You know, aside from my vintage bottle collection, an abnormal amount of non-functioning clocks, a few paintings of animals, and a giant metal letter “X.”) I’ve always tried to be somebody who can adapt easily and Daniel, with his impeccable (albeit obsessively stubborn) tastes, has made the transition especially easy. I’ve been officially banned from helping to paint the new place (Daniel did not like my no-rules approach when it came to painting my last apartment), but this has so far not been a problem.

The only problem that I foresee is losing my sense of self, something that Apartment Therapy’s guide to moving in together warned strongly against. This is why, despite my kind, loving, wonderful, and unparalleled level of tolerance for Daniel’s dictatorial design approach, I tried to keep at least a part of my foot in the door. When I saw Mary Randolph Carter’s book on Amazon, I immediately placed it in my cart and pressed purchase.

A Very White Welcome

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Things have started to finally get back into full swing at the Pratt Art History office. This entire week, wide-eyed freshmen have been milling about and getting lost on campus. Slowly, new and returning faculty have been coming in, printing out their syllabi and lamenting over the quick end of summer. 

Today was our faculty meeting and our reception for newly accepted graduate students. As with the reception for last spring’s awards ceremony, I was put on decoration detail and, let me tell you, I tend to go a little overboard. It’s pretty much my favorite thing to do because it gives me a chance to become Mr. Max Martha Stewart. For the past week or so, I’ve been collecting inspiration images from the internet and keeping them on a folder on my desktop.

The reception was to be held in one of Pratt’s various gallery spaces and, in order to play off of the stark whiteness of the room, I decided it might be fun to work with decorations that were entirely white. I ordered 40 white balloons from Party City which were allowed to float up to the ceiling, their ghostly ribbons hanging freely to the ground. I took a tip from Martha Stewart herself and used round mailing labels and thread to create some rather charming garland which I draped off of the tables and the entranceway to the room. Lastly, I created a welcome sign by cutting out oversized text from construction paper.

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